Neo-impresionismo is a word created by the Félix Fénéon French art critic in 1887 to characterize the art movement of the late 19th century led by Georges Seurat and Paul Signac, who first exhibited her works in 1884 in the sample of the [[Société des Artistes Iáctica of Seurat and Signac, and the theoretical background of the writings of Chevreul and Charles Blanc.Los impressionistic used pure colors in his paletteunder no circumstances support a mix on the palette, except for the mixture of neighboring colors in circle, these nuanced among themselves, and clarified with white, engenders the multiplicity of the colors of the Prism and all their graduations. Thanks to the use of traces isolated brush - size maintains a proper proportion with the size of picture-the colors are mixed in the eye of the Viewer, if it is positioned at a safe distance. There are no other means to successfully stop the game and the clash of contrasting elements: the right amount of red, for example, which is located in sombre it a green, or the effect of an orange light on a local blue or, conversely, that of a blue shadow over a local Orange. If these elements are combined in another way, and not by optical mixture, what you get is a dirty color.The breakdown of colors aims to give color the splendour possible, create in the eye - through the mixture of juxtaposed colour particles - a colored light, the brightness of the light and colors of nature. This source of all beauty, we turn the key parts of our works, but the artist must select those elements. A picture of lines and colours, composed of a genuine artist, represents an embodiment of the more mediate copy nature as the chance gives it. colors decomposition technique ensures precisely the other, a full harmony - divina proportione-thanks to the correct distribution and exact balance of those elements, and according to the rules of the effect of contrast, gradation and irradiation. The neo-impressionists applied these rules - that the Impressionists were only observed here and there, and by instinct - in the most constant and strict way. The neo-impressionists not attached importance to the shape of the brush stroke, since it does not serve as an expressive medium of modeling, sentiment or imitation of the shape of an object. For them, the brushstroke is nothing more than one of the countless parties which, together, compose the picture; an element that plays the same role as the note in a Symphony. Sensations sad or joyous, calm or agitated States of mind are not already expressed through the virtuosity of the brushstroke, but through the correlation of lines, colours and tones. The colorful art is evidently associated with, in a sense, both mathematics and music. Against a fabric still intact, the painter should determine what are primarily the effects of lines and surfaces that the cross, what colors and shades that should cover it. The decomposition of the colors is a system that seeks harmony, is more an aesthetic that a technique.Neoimpresionistas pictures are neither studies nor easel paintings: examples of an art of great decorative display, which sacrifices the story line, the analysis to synthesis, the fleeting to the enduring, and confers on the nature - so tired already of that will play back uncertainly - an intangible truth "
